After debuting with an eccentric thriller about time travel and pursue a romantic comedy about aliens, it is not surprising that in his third feature, Open Windows, Nacho Vigalondo has launched an even more difficult challenge: one shot story with 15 cameras set in the screen of a computer. "In every film I shot into the abyss," admitted the Spaniard filmmaker nominated for Oscars in 2003 with the short 7:35 in the morning. "I keep thinking in the viewer, I want my films I see the whole world and for all, but it's not a simple equation," he says. "There is no wilderness to explore, and I know that a shoot is as close to star in a Jules Verne novel I have in my life," he reflects.
In the case of Open Windows, which hits theaters on Friday, July 4, after world premiere at the Festival de Austin (Texas) - recognizes that it is his "commercial" band and at the same time "more experimental ", a dichotomy that" captive ".
With an international cast including Elijah Wood, Sasha Grey and Neil Maskell, the story begins with the American actor (Nick) glued to the screen while waiting for the appointment time with his favorite actress (Jill), thanks to a contest who has won the internet. At that point, the fan receives a call from Chord, who claims to be your representative, and informs him that dinner has been canceled. In return, spy offers the actress through her laptop the other night, a temptation that will have fatal consequences.
"I was attracted to how the internet facilitates raise any of us can be part of a crime without major trauma," says the director.
ASTROS AND 'STAR WARS' While following Oscar nomination held some meetings with Hollywood producers, Vigalondo has failed to develop any project in the U.S. industry. "Making a film there is an alignment of planets very complicated," he says, although he admits he would like to make a blockbuster (blockbuster), as the saga of Star Wars. "The central plot of Star Wars would give me a wafer against the door of the Millennium Falcon and having to be limping," he jokes, referring to the accident that has temporarily paragraph Harrison Ford filming. - Magdalena Tsanis
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